Курс английского языка: введение в семиотику

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Lesson 7: Signs/Denotation, Connotation and Myth

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Myths

... a third order of signification ...
Fiske, John & John Hartley, Reading Television.

Signs and codes are generated by myths and in turn serve to maintain them.

Myths can be seen as extended metaphors. Like metaphors, myths help us to make sense of our experiences within a culture (Lakoff & Johnson 1980, 185-6).

Their function is to naturalize the cultural - in other words, to make dominant cultural and historical values, attitudes and beliefs seem entirely 'natural', 'normal', self-evident, timeless, obvious 'common-sense' - and thus objective and 'true' reflections of 'the way things are'.

Differences between the three orders of signification are not clear-cut, but for descriptive and analytic purposes some theorists distinguish them along the following lines.
The first (denotative) order (or level) of signification is seen as primarily representational and relatively self-contained.
The second (connotative) order of signification reflects 'expressive' values which are attached to a sign.
In the third (mythological or ideological) order of signification the sign reflects major culturally-variable concepts underpinning a particular worldview - such as masculinity, femininity, freedom, individualism, objectivism, Englishness and so on.

Example :

At the denotative level this is a photograph of the movie star Marilyn Monroe.

At a connotative level we associate this photograph with Marilyn Monroe's star qualities of glamour, sexuality, beauty - if this is an early photograph - but also with her depression, drug-taking and untimely death if it is one of her last photographs.

At a mythic level we understand this sign as activating the myth of Hollywood: the dream factory that produces glamour in the form of the stars it constructs, but also the dream machine that can crush them - all with a view to profit and expediency. (Hayward 1996, 310)

Class assignment 1 (pair work, done orally):

Consider the information in the file and express your own ideas concerning myth exploitation in the advertisement.

Class assignment 2 (pair work, done orally):

Analyze the pictures in the file and decide whether they present the same connotation and sustain the same myth.

Class assignment 3 (pair work, done orally):

Analyze the files and comment upon the types of signs you notice as well as their denotation, connotation and myths they sustain.

  • introduction
  • videos with titles
  • videos - no titles
  • example from one film
  •  

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    Resources for Lesson 7:
  • Chandler, Daniel. Semiotics for Beginners.
  • Student Essays (Daniel Chandler's course)
  • Barthes, Roland ([1957] 1987): Mythologies. New York: Hill & Wang
  • Hjelmslev, Louis (1961): Prolegomena to a Theory of Language (trans. Francis J Whitfield). Madison: University of Wisconsin Press
  • Peirce, Charles Sanders (1931-58): Collected Writings (8 Vols.). (Ed. Charles Hartshorne, Paul Weiss & Arthur W Burks). Cambridge, MA: Harvard University Press
  • Cook, Guy (1992): The Discourse of Advertising. London: Routledge
  • Grayson, Kent (1998): 'The Icons of Consumer Research: Using Signs to Represent Consumers' Reality'. in Stern, Barbara B (Ed) (1998): Representing Consumers: Voices, Views and Visions. London: Routledge
  • Davis, Howard & Paul Walton (Eds.) (1983a): Language, Image, Media. Oxford: Basil Blackwell
  • Lakoff, George & Mark Johnson (1980): Metaphors We Live By. Chicago: University of Chicago Press
  • Hayward, Susan (1996): Key Concepts in Cinema Studies. London: Routledge
  • http://network.nature.com/people/noah/blog/2008/08/26/what-does-mirror-self-recognition-really-mean
  • http://www.aidan.co.uk/article_vw_camper_van_warning_signs.htm
  • http://www.iconic-images.com/sign-writing.html
  • http://rivig88.blogspot.com/
  • http://yakuzas.org/forums/international-forum/13717-14-amazing-interactive-drawings.html
  • http://blog.lib.umn.edu/raim0007/gwss3307_fall2007/2007/09/omg_brad1.html#more
  • http://veryveryfun.com/index.php?option=com_content&task=view&id=75&Itemid=1
  • http://reparent.blog.uvm.edu/archives/2007/08/more_and_less_h.html
  • Пермский государственный университет

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